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  • References - How To Stretch Canvas Prints and Paintings and Maybe Avoid Framing

    No, I’m not going to get into the nitty-gritty of building a stretcher frame, mitering the corners, and discussing what sort of pliers or automatic stretching and stapling machine you should use. I want t
    According to USFDA, a combination product is one composed of any combination of a drug and device; biological product and device; drug and biological product
    o talk about stretching from the aesthetic point of view and explain the three basic options in stretching your canvas.

    There are typically three different methods to stretch your canvas. These methods wo
    ; or drug, device, and biological product and fixed dose combination would include two or more combinations of drug.

    Examples of combination products may in
    uld be applicable to either a print on canvas, a canvas transfer or an original oil on canvas.

    The first is the “Standard Wrap” method. This is where the canvas is stretched with 100% of the image on the
    lude drug-coated devices, drugs packaged with delivery devices in medical kits, and drugs and devices packaged separately but intended to be used together.

    front. None of the image is on the sides, and the staples are showing on the sides. This method definitely yells out, “Frame me”. Otherwise, those nasty staples and possibly the ragged edges of the canvas
    here is enormous increase in the number of combination products entering the market in the recent years. Combination products have proven advantages but fixe
    will show on the sides.

    The second method is the “Museum Wrapped”. In a “Museum Wrap” 100% of the image is showing on the front with the image going right up to the edges, and the plain white canvas is s
    d dose combinations are still in the process of convincing regulatory authority on their advantages over the single ingredient formulations.

    Combination pro
    owing on the sides.

    In this method the staples are on the back and do not show. The sides are then treated to the owner’s specifications. In many cases the sides are painted black. In others the sides are
    ucts have become life saving products for the pharmaceutical companies who doesn’t have many innovative molecules in their product pipeline and have been inc
    painted some color that is complimentary to the colors in the artwork itself. This should be the stretching method of choice where important elements of the image are run right up to the sides and truncat
    easingly used in the product life cycle management. Even the companies having product patents are trying to extend their product life cycle through the combi
    ing them by wrapping the image on the sides would compromise the image and the artist’s intentions.

    The third method is the “Gallery Wrap”. Here is where the image is stretched around the sides of the str
    nation products and maximize the revenues. But the companies involved in this practice are overlooking that they are burdening the patients both economically
    etcher frame and the staples are on the back. The image is taken right up to the back edge of the sides and shows on the sides.

    Both the “Gallery” and the “Museum Wrap” lend themselves to be hung with or
    and physically. They need to rightly judge the benefits of the combination products and they have to even look at the risks involved when combining the produ
    without a frame. However, if you use the Gallery Wrap and a frame, the image on the sides is lost.

    In artwork like the new Rodney White prints on canvas, the different stretching methods become important
    ts. Some of the combination products were well accepted by physicians while others suffered. Companies involved in development of combination products are fi
    ssues. Rodney White is probably the hottest artist in America right now. His prints are full bleeds, where the image is all the way to the edge of the paper. He also paints words that are already truncated
    ding difficulty in defining their combination products and facing various challenges from selecting a combination to marketing it.

    Following aspects would a
    right up to the edge of the image. If you use the Gallery Wrap method, you are going to lose even more of the words that are an important part of his images. Go to www.RodneyWhiteeBay.com to view his work
    dd to the challenges in developing combination products:

    Which markets to tap where the combination products can do fairly well?
    Which combination prod
    , and you will easily see what I mean. The “Museum Wrap” should be the stretching method of choice on these prints. It leaves you with the option of framing or hanging it without a frame. Either would work
    cts are meaningful and rational?
    Which therapeutic categories to select?
    Which Combinations can address unmet needs of the patients?
    Do combin
    and would not interfere with the image.

    In considering seascapes or landscapes, where the image is merely a continuation all the way to the edges, the “Gallery Wrap” is very effective. There are also man
    tions increase the patient compliance?
    What would be the developing cost?
    How to tackle the risks encountered during combination product developmen
    y images where there is plenty of negative space or an abundance of sky and/or grass where this method is also effective and aesthetically pleasing.

    Finally, here’s a little tip on hanging your “Museum or
    t?

    As combination products don't fit into the traditional categories of drugs, medical devices, or biological products, the USFDA is in the process of devel
    Gallery Wrapped” canvas. You may want to consider hanging it from the stretcher frame itself with no hanger hardware. I like my unframed canvases to hang flush against the wall. I achieve this by putting t
    ping new procedures for reviewing their safety, efficacy and quality.

    Professional from academic institutions, pharmaceutical industries, health care indust
    wo nails in the wall about 6 inches apart, making sure I get them level. You can use small a carpenter’s level for this. Then I merely hang the piece on the nails. Use the proper size picture hangers if we
    y and representatives from various regulatory agencies are working out to design the regulatory requirements for manufacture and sale of combination products
    ight is of a concern. But most unframed canvases are fairly light. Make sure you use two nails so that it will stay level. That also works when hanging artwork with wire hangers on the back.

    At
    .

    As there is an increasing trend of the combination products companies manufacturing such products should be able to tackle the problems involved in the de
    ="_New" href="http://www.FrameHouseGalleryeBay.com">www.FrameHouseGalleryeBay.com you can see many examples of different canvas prints and paintings, and you will readily see where each method of stret
    elopment. They need to be wiser in analyzing the market trends and the regulatory requirements.

    Companies that provide selfless information through particip
    ching will and will not apply. Just look for the “Canvas” category. No permission is needed to reprint an unedited copy of this story as long as the writers bio and the links are left in tact and included


    tion in industry events and feedback to regulatory authorities would be able to face the challenges and will be successful in developing combination products

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